Friday, December 29, 2006

Marketing Myopia

How can a company ensure its continued growth? In 1960, a seminal Harvard Business Review journal article, ‘Marketing Myopia’ answered that question in a new and challenging way by urging organizations to define their industries broadly to take advantage of growth opportunities. Mr. Theodore Levitt, the article’s author, showed how they declined inevitably as technology advanced because they defined themselves too narrowly.

He posited that to continue growing, companies must ascertain and act on their customers’ needs and desires, not bank on the presumptive longevity of their products. The success of the article testifies to the validity of its message. Written in 1960, it has been widely quoted and anthologized, and HBR has sold more than 265,000 reprints of it. The author of 14 subsequent articles in HBR, Mr. Levitt passed away a few months back.

As a student of marketing I have always been amazed at the almost visionary zeal with which he proposed theories and concepts and the longevity of many of them. As a mark of respect to the departed soul, here is an extract from Marketing Myopia. If you are impressed, and I can’t see why you shouldn’t, I urge you to go find and run through the entire article and, if possible, Mr. Levitt’s entire collection as well. To get you started, here is the extract.

Every major industry was once a growth industry. But some that are now riding a wave of growth enthusiasm are very much in the shadow of decline. Others, which are thought of as seasoned growth industries, have actually stopped growing. In every case the reason growth is threatened, slowed, or stopped is not because the market is saturated. It is because there has been a failure of management.

The failure is at the top. The executives responsible for it, in the last analysis, are those who deal with broad aims and policies. Thus:

The railroads did not stop growing because the need for passenger and freight transportation declined. That grew. The railroads are in trouble today not because the need was filled by others (cars, trucks, airplanes, even telephones) but because it was not filled by the railroads themselves. They let others take customers away from them because they assumed themselves to be in the railroad business rather than in the transportation business. The reason they defined their industry incorrectly was that they were railway-oriented instead of transportation-oriented; they were product-oriented instead of customer-oriented.

Hollywood barely escaped being totally ravished by television. Actually, all the established film companies went through drastic reorganizations. Some simply disappeared. All of them got into trouble not because of TV’s inroads but because of their own myopia. As with the railroads, Hollywood defined its business incorrectly. It thought it was in the movie business when it was actually in the entertainment business. Movies implied a specific, limited product. This produced a fatuous contentment, which from the beginning led producers to view TV as a threat. Hollywood scorned and rejected TV when it should have welcomed it as an opportunity - an opportunity to expand the entertainment business.

The view that an industry is a customer-satisfying process, not a goods-producing process, is vital for all businesspeople to understand. An industry begins with the customer and his or her needs, not with a patent, a raw material, or a selling skill. Given the customer’s needs, the industry develops backwards, first concerning itself with the physical delivery of customer satisfactions. Then it moves back further to creating the things by which these satisfactions are in part achieved.

How these materials are created is a matter of indifference to the customer, hence the particular form of manufacturing, processing, or what-have-you cannot be considered as a vital aspect of the industry. Finally, the industry moves back still further to finding the raw materials necessary for making its products.

In short, the organization must learn to think of itself not as producing goods or services but as buying customers, as doing the things that will make people want to do business with it.

Sunday, December 10, 2006

Creative Briefing Format

Exceptionally good creative is a result of extremely well-thought out strategy. And the sun rises in the east. Nothing new, I admit, but good creative development process begins with a well-written creative brief. How to write a good creative brief is the subject of this edition.

Advertising professionals, excuse me please. You guys probably know how to write good briefs. But for those who wish to access a good template here is the format from one of world's most respected ad agencies - BBDO. Here goes it.

Assignment: The job on hand

- Campaign / Single ad
- TV commercial – Length
- Print ad – Size, Colour
- Newspaper or magazine
- Outdoor, Promotion, Radio, Integrated Campaign
- What do we have to do, what’s the budget, and when do we have to do it by

Include relevant data

Target: For whom our brand will be a viable alternative

- Not just demographics – psychographics
- What are they like as human beings?
- What are their hopes, fears, and ambitions?
- What do they expect from the category?
- How do they use it?
- What needs do they have that aren’t being met?

Be as informative and as insightful as possible

Competitive Frame: Who is our competition?

-What are they saying?
- What is the source of business?
- What will the consumer do or buy if they don’t buy us?

Not just a list of brands – could include habits and attitudes

Consumer Belief: The deeply held perceptions and feelings
- What is the single most important thing our prospects believe or feel about our brand or the category?
What is it that the advertising must change or reinforce?
Marketing Objective: The things that we are aiming for

Be as specific and clear-cut as possible.

Advertising Objective: What we want to make happen due to advertising

- Raise awareness
- Put on list
- Encourage trial
- Repeat purchase
- Change perceptions
- Reconsider our brand
- Use it more often
- Use in a new way
- Remain satisfied

Be specific, again.

Key Selling Message: The one thing we want to tell them

- In the light of the Consumer Belief in the defined Competitive Frame, what is the single-minded promise we will make to the defined Target that will persuade them to act in the way that will achieve the Advertising Objective?
- What do we want them to think, feel or believe as a result of the Advertising?

What do we have to have an idea about?

Support: Relevant reasons why we can make the promise

- Competitive physical or perceptual advantages
- Not just a list of features, or of all the brand’s good points

The reason to believe our claims.

Brand Personality: Aspect of personality that the ad must reflect

- A brief, vivid description
- Not just a list of adjectives

Preferably, describable by one word or phrase.

Budget / Timing: The budget for the whole exercise

What are the time frames?

Mandatory Inclusions: The musts or must nots be included in the ad

- Legal restrictions, logo usage, campaign themes
- The fewer the better

None, if possible!

Criteria for Evaluation: Measurable action points

The parameters by which the creative would be evaluated.