Regulars can recall my post on bridged positioning some time ago. If you can't recall it or haven't read it, check Archives 2006-05-07. I had listed a few bridged concepts then – integrated concepts that are both functional and psychological. I found a few more last week, courtesy the class of 2006 Amrita School of Business, Coimbatore.
Here is it...
Macho
Taste
Style
Enjoyment
Trust
Energy
Durability
Sexy
Sophistication
Adventure
Friday, October 27, 2006
Bridged Positioning: A game of bridge...again!
Friday, October 20, 2006
The Advertising Essentials - Part 3
Here is the final part. The final word on the subject as well!
7. Be Executionally Excellent
Particular care must be taken with product, preparation and consumption sequences, and pack shots. We must never forget that we are selling products, which people are going to eat or drink. The product must always be presented in the most appropriate and appetite-appealing way.
Consumption shots should realistically communicate this in a totally credible way. Of course, there are exceptions, if you were to advertise for a brand of condoms to name one such!
The development of proprietary product sequences that are properly integrated into the communication (with appropriate voice-overs to underline a product-based consumer benefit) can help to enhance perceptions of our products’ superior quality. Unique and proprietary product shots and mouth-watering consumption sequences that appeal to our senses help to create appetite appeal, to differentiate our products and to motivate purchase.
Pack shots should usually also include the product as it is meant to be consumed, and should be given sufficient emphasis to be impactful, and remind consumers of what to look for on the shelf.
There is a skill in achieving high production standards in print and on film, and there are experts who can help. In order to achieve the peak of perfection, we must be prepared to invest in production budgets, and not be tempted to cut corners. This does not mean that we can substitute strong simple ideas with spectacular shows that hide the lack of a creative idea.
In summary, the questions to ask and answer are:
1. Have we done everything possible to ensure the best product shots?
2. Are the consumption shots realistic?
3. Does the product come across as truly enjoyable?
4. Are the product shots / consumption sequences proprietary to the brand, and consistent with building brand equity?
5. Have we clearly communicated a consumer benefit via the portrayal of the product and its consumption?
6. Is our brand highly visible in order to secure 100% correct brand identification?
8. Bring About a Sale
The unequivocal raison d’etre of all communication is to bring a profitable sale. There is no other reason for investing in brand communication. Although different forms of communication have shorter or longer-term effects on sales, all should be evaluated over time on their ability to build brand equity with our consumers, and in so doing bring about a sale.
In general, we should seek to create communications which have the consumers’ interests at heart, that are involving in content and execution, that are original and provocative, that get talked about, and have the “must see again” factor. In everything we do, we should always strive to build a place for our brands in people’s lives…in the long term.
In summary, the key question to ask and answer is:
Have the right tracking study mechanisms been put in place to measure the contribution of communications (advertising and other forms of communication) to bringing about a sale?
7. Be Executionally Excellent
Particular care must be taken with product, preparation and consumption sequences, and pack shots. We must never forget that we are selling products, which people are going to eat or drink. The product must always be presented in the most appropriate and appetite-appealing way.
Consumption shots should realistically communicate this in a totally credible way. Of course, there are exceptions, if you were to advertise for a brand of condoms to name one such!
The development of proprietary product sequences that are properly integrated into the communication (with appropriate voice-overs to underline a product-based consumer benefit) can help to enhance perceptions of our products’ superior quality. Unique and proprietary product shots and mouth-watering consumption sequences that appeal to our senses help to create appetite appeal, to differentiate our products and to motivate purchase.
Pack shots should usually also include the product as it is meant to be consumed, and should be given sufficient emphasis to be impactful, and remind consumers of what to look for on the shelf.
There is a skill in achieving high production standards in print and on film, and there are experts who can help. In order to achieve the peak of perfection, we must be prepared to invest in production budgets, and not be tempted to cut corners. This does not mean that we can substitute strong simple ideas with spectacular shows that hide the lack of a creative idea.
In summary, the questions to ask and answer are:
1. Have we done everything possible to ensure the best product shots?
2. Are the consumption shots realistic?
3. Does the product come across as truly enjoyable?
4. Are the product shots / consumption sequences proprietary to the brand, and consistent with building brand equity?
5. Have we clearly communicated a consumer benefit via the portrayal of the product and its consumption?
6. Is our brand highly visible in order to secure 100% correct brand identification?
8. Bring About a Sale
The unequivocal raison d’etre of all communication is to bring a profitable sale. There is no other reason for investing in brand communication. Although different forms of communication have shorter or longer-term effects on sales, all should be evaluated over time on their ability to build brand equity with our consumers, and in so doing bring about a sale.
In general, we should seek to create communications which have the consumers’ interests at heart, that are involving in content and execution, that are original and provocative, that get talked about, and have the “must see again” factor. In everything we do, we should always strive to build a place for our brands in people’s lives…in the long term.
In summary, the key question to ask and answer is:
Have the right tracking study mechanisms been put in place to measure the contribution of communications (advertising and other forms of communication) to bringing about a sale?
Sunday, October 08, 2006
The Advertising Essentials - Part 2
Hope you savoured the first part of this series. As promised here is the second. The best is yet to come aka the third part. That will appear next week.
4. Be Highly Visible
It costs the same to run a TV commercial whether it is dull and boring or whether it is relevant and involving. A good ad is the best media discount possible. An original creative idea is worth more than a big budget. In fact it’s arguable that the better the creative content, the less you need to spend on media. Repetition of a poor ad won’t do any good, whereas few exposures of a truly creative and effective ad will bring a high return on investment.
The first rule of all our communications is that it must have impact. However, that impact must be relevant to our brand. People aren’t waiting to read our ad or see our commercial. We are intruders into the living room. Sufficient impact to get the attention of our target consumer has to be the ‘price of entry’ for every piece of communication.
Being highly visible has a lot to do with keeping our message and its execution simple. Too often we make our message hard to understand. This happens particularly when we over-compensate for the lack of a single-minded ‘Strong Ideas’ by bombarding the viewer with a mass of quick cuts of complicated images. While we understand what we’re doing, often the consumer doesn’t.
Other ways to break through are to develop additional communications channels and to be more innovative in the use of media.
In summary, the questions to ask and answer are:
1. I know this is interesting for me (I work on the brand) but would it grab the attention of someone reading the paper, driving their car, walking in the street or watching TV?
2. What can be done to make it even more impactful? (In a way that’s good for the brand)
5. Be Locally Relevant to the Core Target
The communication must be built on, and relate to the framework laid down in the Brand Positioning Statements. However these should be interpreted so that they are absolutely relevant to the local needs. Only by fully understanding the consumer, their habits and daily behaviour, as well as their psychological and emotional feelings, can we hope to find compelling messages that tap into their minds in a convincing and believable way.
While it’s vital to make our communication strategies 100% relevant, it’s equally important to make the communication content and executions 100% relevant. Impact alone achieves little in developing brand salience, propensity to buy, and overall brand equity. What’s needed is impact with relevance. We need to bring the strategy to life in an impactful way. We need to catch the eye by planting a relevant idea in the consumer’s mind that produces the sort of reaction: “this is just right for me and the way I live my life.”
In summary, the questions to ask and answer are:
1. Do we know enough about the consumer?
2. Who specifically are we addressing for? For example, existing users? New users? Lapsed users? Light users? Heavy users?
3. What message will motivate them most of all to buy our brand?
4. What is holding them back?
5. Have we included a clear, relevant consumer benefit?
6. Are the necessary research tracking mechanisms in place to evaluate progress?
6. Be Likeable
Every piece of communication for any of our brands is also a communication for the company as whole as well. Our communication must acknowledge this. All brand communication should, by tone of voice and by involving the consumer, help to enhance the appeal of the company too. If people like the way you talk to them, they are predisposed to like you.
Just as we want to be liked as a company, it is equally important that people like our brands, as well as our advertising and the full range of our brand communications. We should aim to achieve the best scores in tracking research for ‘likeability’ of our brands / our communications vs. our competitors.
While we need to be responsible, it doesn't mean that our communication should be boring. On the contrary, we should aim for communications that are innovative, surprising, exciting, human and emotional.
In summary, the questions to ask and answer are:
1. Does the communication reflect well on our company?
2. Does it position our brands as relevant to today?
3. Does it build Brand Equity?
4. Will it be admired, talked about and liked?
5. Are the tracking research mechanisms in place to evaluate?
4. Be Highly Visible
It costs the same to run a TV commercial whether it is dull and boring or whether it is relevant and involving. A good ad is the best media discount possible. An original creative idea is worth more than a big budget. In fact it’s arguable that the better the creative content, the less you need to spend on media. Repetition of a poor ad won’t do any good, whereas few exposures of a truly creative and effective ad will bring a high return on investment.
The first rule of all our communications is that it must have impact. However, that impact must be relevant to our brand. People aren’t waiting to read our ad or see our commercial. We are intruders into the living room. Sufficient impact to get the attention of our target consumer has to be the ‘price of entry’ for every piece of communication.
Being highly visible has a lot to do with keeping our message and its execution simple. Too often we make our message hard to understand. This happens particularly when we over-compensate for the lack of a single-minded ‘Strong Ideas’ by bombarding the viewer with a mass of quick cuts of complicated images. While we understand what we’re doing, often the consumer doesn’t.
Other ways to break through are to develop additional communications channels and to be more innovative in the use of media.
In summary, the questions to ask and answer are:
1. I know this is interesting for me (I work on the brand) but would it grab the attention of someone reading the paper, driving their car, walking in the street or watching TV?
2. What can be done to make it even more impactful? (In a way that’s good for the brand)
5. Be Locally Relevant to the Core Target
The communication must be built on, and relate to the framework laid down in the Brand Positioning Statements. However these should be interpreted so that they are absolutely relevant to the local needs. Only by fully understanding the consumer, their habits and daily behaviour, as well as their psychological and emotional feelings, can we hope to find compelling messages that tap into their minds in a convincing and believable way.
While it’s vital to make our communication strategies 100% relevant, it’s equally important to make the communication content and executions 100% relevant. Impact alone achieves little in developing brand salience, propensity to buy, and overall brand equity. What’s needed is impact with relevance. We need to bring the strategy to life in an impactful way. We need to catch the eye by planting a relevant idea in the consumer’s mind that produces the sort of reaction: “this is just right for me and the way I live my life.”
In summary, the questions to ask and answer are:
1. Do we know enough about the consumer?
2. Who specifically are we addressing for? For example, existing users? New users? Lapsed users? Light users? Heavy users?
3. What message will motivate them most of all to buy our brand?
4. What is holding them back?
5. Have we included a clear, relevant consumer benefit?
6. Are the necessary research tracking mechanisms in place to evaluate progress?
6. Be Likeable
Every piece of communication for any of our brands is also a communication for the company as whole as well. Our communication must acknowledge this. All brand communication should, by tone of voice and by involving the consumer, help to enhance the appeal of the company too. If people like the way you talk to them, they are predisposed to like you.
Just as we want to be liked as a company, it is equally important that people like our brands, as well as our advertising and the full range of our brand communications. We should aim to achieve the best scores in tracking research for ‘likeability’ of our brands / our communications vs. our competitors.
While we need to be responsible, it doesn't mean that our communication should be boring. On the contrary, we should aim for communications that are innovative, surprising, exciting, human and emotional.
In summary, the questions to ask and answer are:
1. Does the communication reflect well on our company?
2. Does it position our brands as relevant to today?
3. Does it build Brand Equity?
4. Will it be admired, talked about and liked?
5. Are the tracking research mechanisms in place to evaluate?
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